About the Artist « Kara LaFleur

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About the Artist

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Kara LaFleur’s family moved throughout New England before settling into the suburbs of Philadelphia in 1995. This nomadic lifestyle fostered an intrinsic affinity for extended community and networking from a young age. In 2005, Kara received her BFA in Photography from the University of the Arts with thesis work evolving around the 8×10 camera and non-silver processes. After graduation, her involvement with the Center for Emerging Visual Artists allowed her to gain experience in the Non-Profit and Arts and Culture Sectors while working primarily in administrative and development roles. In the summer of 2006, Kara began volunteering with the Work to Ride program; a non-profit prevention program providing disadvantaged youth with activities surrounding horsemanship, equine sports and education. Further developing her relationship with the program and it’s participants, Kara recently held a position as the Director of Summer Programming. Currently she is working on a long term photographic project with WTR, while pursuing a career at Night Kitchen Interactive, an award-winning design firm in Philadelphia.

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Work To Ride (a work in progress)

Work To Ride is a program for at risk and urban youth located in the Belmont Plateau section of Philadelphia’s Fairmont Park. Founded in 1994 by Lezlie Hiner, WTR started as a refuge for the youth of West Philly who were willing to put in a little work to get off the streets. In exchange for doing barn chores, they were allowed to pursue an equestrian sport of their choosing. Following Lez’s passion, many of them chose Polo; and in 1997, they had the first African American Polo Team in America. Ever. Over the years the program has evolved from a mere handful to over twenty and has seen the addition of Kate Simmer, Program Director who facilitates increased community support and involvement. The kids still have to work with the horses and now undergo tutoring to keep their grades up in order to participate in anything from Horse Shows to Steeple Chases. Today, against all odds, these kids continue to prove themselves both on the field and off. The images contained within Work To Ride (a work in progress) seek to explore the very heart and soul of this program. After volunteering with WTR for eight months, I began to photograph informally around the barn, with what the kids affectionately coined my “dollar camera”. Quiet and unassuming, the Holga is less intrusive than other, more sophisticated alternatives, allowing for a more immersive approach to the project. Using this plastic camera with all of its idiosyncrasies uniquely conveys the underlying socio political implications of class and race inherent within this program from which a deeply touching narrative of impoverished youth and unparalleled opportunity arises.